While this is an encore of an earlier Musings, the former posting was more than five years ago … so likely may have never been read by many readers, or it’s time for you to read and listen again!
Radio’s Easy Listening or Beautiful Music format––of which I have been called a pioneer and pace-setter, even the Father of its modern-day version, which we launched in Philadelphia in 1963––over the years has introduced a number of melodies and recordings, which never took hold in the mainstream of popular music … yet would become immense favorites among our millions of devoted listeners.
While I’ve listed several of these tunes in my memoir, RADIO, My Love, My Passion, and even discussed a few in this space previously … I thought I’d get a consensus of opinion by turning to Warren Schoeger, the force behind the website The Elegant Sound … the superb re-creation of Boston’s WJIB-FM, a dominant in listenership in Beantown for more than 25 years beginning in 1967 … requesting he provide his list of the top 10 of the genre’s titles and arrangements.
Well, I’ve combined our two lists, resulting in what I consider to be the 15 all-time “turntable hits” of the Beautiful Music/Easy Listening genre (not necessarily listed in the order of greatest popularity):
- James Last – Music From Across the Way
- Caravelli – Wigwam
- Jean Claude Borelly – Dolannes
Melody - Johnny Pearson – Sleepy Shores
- Abba – I Have A Dream
- Zamfir & James Last – Lonely
Shepherd - Ennio Morricone – Chi Mai
- Caravelli – Midnight Blue Theme
- Dick Bakker – Mull of Kintyre
- James Last – Elizabethan Serenade
- Hagood Hardy – The Homecoming
- Nana Mouskouri – Even Now
- Alain Morisod – Lake Como
- Frank Mills – Music Box Dancer
- Richard Clayderman – Ballad for
Adeline
Now, let’s take a look at these individual titles and give you the ability to listen to each one:
Starting off … James “Hansi” Last appears three times in our lists of 15 tunes. The melody, which became known as “Music From Across the Way” after lyrics were added, began life as “The Last Guest Is Gone.” My favorite instrumental arrangement can be heard in my Musings in January of 2019, which discusses the life of James Last and is titled “The King of Happy Music.”
James Last’s recording of “Elizabethan Serenade” was recorded in the 1960s, although the melody by English composer Ronnie Binge was written in the late 1940s under a different title and renamed when Queen Elizabeth II ascended to the British throne in 1952.
Of course, closely tied to Hansi is the famed master of the panpipes, Zamfir … playing the James Last composition “The Lonely Shepherd,” which I wrote about and you can listen to in a Marlin’s Musings from July of 2018 titled “Is There A More Haunting Melody!”
French composers Paul De Senneville & Olivier Toussaint collaborated on two of the titles which appear on our list, Jean-Claude Borelly’s “Dolannes Melody” and Richard Clayderman’s “Ballad For Adeline” … the latter of which you can hear by going to my earlier Musings, “Uplifting Music for the Ages”. Reportedly, in both cases, the composers would search for and choose the artists who’d record these two compositions and would launch them into successful careers based on the success of these initial recordings.
Swiss pianist Alain Morisod, sometimes recording under his own name, other times under the Sweet People group name, is not the most popular artist we ever played, yet his composition Le Lac de Come … or “Lake Como” in English, has long been a favorite of many of the tens of thousands who have listened to this musical format over the years.
There is a variation of the basic melody available, which includes the sound of birds chirping throughout and is titled “And the Birds Were Singing at Lake Como.” Also, while I’ve not been able to find any direct evidence … I am confident that the first recording of “Lake Como,” which we played by Alain Morisod back in the 1970s, was performed as a piano solo – regardless, beautiful in any rendition!
Nana Mouskouri – Even Now – Boy, was I happy that on that day in the fall of 1969, while rummaging through the vast music library at New York City’s WRFM, I came across an album by a lady named Nana Mouskouri––whom I was not familiar with––and a song which I knew but had not paid much attention to, the Mexican mariachi tune “Cu-cu-ru-cu-cu Paloma.” I was intrigued enough to put it on the turntable and knew instantly that I had to see what our WRFM listeners thought. As I wrote in my memoir, minutes later, when it was played on WRFM’s air, the telephone began to ring. And, it never stopped ringing every time the song was aired. Then, each time a new Nana album arrived, I’d listen with great anticipation, hoping to hear another gem by this Greek folk singer; however, ten years would pass before I found a new “hit” … the year was 1979 and I had chills the moment it began to play … the song: “Even Now!”
Abba – I Have a Dream – This is one which Warren did not include, but is significant in my mind because of what you’ll learn through the Marlin’s Musings post from October of 2018, titled “Abba … the Group”.
Renowned French maestro Caravelli takes two of the slots in your “top hits” list, first with a superb instrumental arrangement of folk singer and songwriter Bob Dylan’s intriguing melody, “Wigwam”:
Several on the list I claim as being my own personal discoveries, yet with “Wigwam” and a couple of others, including James Last’s “Music From Across the Way,” … the credit goes to a protégé of mine who would later become the Music Director with Schulke Radio Productions, Phil Stout. However, some time would pass before I could include Wigwam in my programming, as many of the copies of the LP were defectively pressed, with the side containing “Wigwam” totally distorted.
And, a major listener favorite is Caravelli’s other recording on our Easy Listening’s “hits list” … one of the last arrivals during the golden years of the format on radio, the “Midnight Blue Theme.” It along with Ennio Morricone’s “Chi Mai” and Richard Clayderman’s “Ballad for Adeline” are discussed and can be listened to by going to my Musings of August 1, 2019, titled “Uplifting Music for the Ages,” which I referenced earlier.
Another “oldie” is pianist Johnny Pearson’s own composition, “Sleepy Shores,” which became a Top Ten hit in Britain’s pop music world in 1972, at least partially because it was the theme for a British TV series, Owen, M. D. Once we heard it over here on “this side of the pond,” we knew it was perfect for inclusion in our programming … and our listeners agreed!
Dick Bakker’s “Mull of Kintyre” is from an album of his titled “Around the World” with melodies native to locations indicated by the album title, released in the early 1980s. As I write in my memoir, “RADIO … My Love, My Passion” … the recording landed in my hands via a very direct route while at CTS Studios in London for a John Fox recording session:
One day, as I was walking down a hallway there, a gentleman stopped me and asked if I was the American radio person working with John Fox. When I answered in the affirmative, he introduced himself as Dick Bakker from Holland and handed me his album “Around the World.” The one selection from this album that became a favorite is “Mull of Kintyre.” We’ve played other recordings of this Paul McCartney melody—which John Fox told me is based on a couple of different Scottish folk tunes—but Dick’s, with a chorus featuring a bagpipe sound, is most people’s choice to hear.
“The Homecoming” by Canadian composer and pianist Hagood Hardy was released in 1975 and is included in the soundtrack he composed for the Canadian-produced film “Anne of Green Gables,” which originated as a novel written by Canadian author Lucy Maud Montgomery, published in 1908. If you read some of the comments posted on the YouTube page, it’s very apparent how many hearts this melody impacted!
“Music Box Dancer” was composed by another Canadian musician … Frank Mills, whose own performance of it became an international hit in the late 1970s. As it may not quite qualify as a “turntable hit,” you’ll not likely find it anywhere today other than on SiriusXM’s Escape and at The Elegant Sound.
That covers all 15 of these Beautiful Music listener favorites! If you are or were a listener to this radio programming, did you have a favorite, and is it on this list? If not, what was it? I’d love to hear from you now!


So many great memories here. Thanks for sharing.
John Timm
Thank you, John … glad you enjoyed! The world is filled with so much beautiful music; what would life be without it?
My top two favorites would be Living Strings "Too Beautiful for Words" and "Long Before I Knew You."
The sweetest sounds this side of heaven for this old music lover.
There are so many wonderful arrangements by so many talented artists. Its such a blessing to hear them and see your emails. These are just a touch of my favorites among many more. Such an amazing musical journey listening to legacy traditional “Beautiful Music” done perfectly like you did Mr Taylor. God Bless You.
Closer I Get To You Frank Chacksfield
You Make Me Feel Brand New James Last
Him Frank Barber (Sbarra)
Touch Me In The Morning Ronnie Aldrich
Mahogany Ray Conniff
Longer John Gregory
We’re All Alone Tony Osborne
How Deep Is Your Love Frank Pourcel
Walk In Love Norrie Paramor
I agree with you, Erik.
The difference for most of the titles you list, except for the Sbarra tune, are renditions of songs which were hit titles in the pop world. The tunes discussed in this Musings are those we called “turntable hits,” as the melodies were only familiar to folks who listened to our BM/EL stations.
Those instrumental pieces you have listed were my favorites as well. I remember them when the beautiful music stations played them in the 1980’s. Another one of my favorites is Franck Pourcel’s “Too Beautiful to Last”.
Thanks, Cray … appreciate hearing from you!
Don’t forget “Eye Level* by Mantovani, the KLM airline commercial theme. Music line lit up every time it played
That is a great melody, Dan.
However, two comments: (1) The original is by Simon Park, not the Mantovani Orchestra and (2) I likely never included it in my category of great melodies which are exclusive to the BM/EL genre, as it became a hit in the popular music world.
Thanks for writing … great to hear from you.
I love and appreciate the list. “Wigwam” was the introductory tune on my demo for “Música en Flor” with its hypnotizing beginning.
I was a fascinated and addicted fan of all the Delphine productions. I was particularly enchanted by Francis Goya and songs like “La Playa”. And Clayderman’s “Lady Di” is, to me, almost better than “Adeline”.
Hi Marlin, My name is Matthew Osborne. I’ve been looking at your website over the last couple days, and I am blown away by what you have documented here. Although I am also a big railfan similar to you (I think I’ve ridden ever scenic train ride that exists in Upstate NY by now!), I’m more impressed with the way you’ve documented the Easy Listening/Beautiful Music radio in such detail. I am a true “dyed in the wool” radio geek and former personality/promotions assistant myself; the material you have on this website is priceless, in my humble opinion, and needs to be preserved accordingly. Thank you so much for documenting all of this and describing, in incredible detail, how the Easy Listening/Beautiful Music format was created and worked. Also, if you ever want to chat with me some more (I’d love to if you have the time!), one of the station’s you wrote about played a big part in my own brief radio career. Rochester NY’s WRMM (the original WEZO) former PD Dave Symonds was the key person that convinced me to move to Rochester after college and pursue my radio dreams there. And…although a different station, the first commercial signal my voice appeared on there was….WEZO (then on 950 AM, the former WBBF). Either way, thanks again for taking the time and effort to document and preserve all of this and feel free to reach out if you want to talk radio with me sometime!
Thank you, Matthew … I appreciate all of your kind words!